A bustling Beijing street scene unfolds with people from various nations gathered near the Chinese foreign ministry building, set against a backdrop of traditional architecture and modern skyscrapers, with a mix of diplomatic vehicles and pedestrians under a cloudy sky with warm light.
在固定的house框架（既定风格与安全条款）之内，绘图模型所收到的完整提示词
Sprawling painted editorial illustration for a newspaper front page: A bustling Beijing street scene unfolds with people from various nations gathered near the Chinese foreign ministry building, set against a backdrop of traditional architecture and modern skyscrapers, with a mix of diplomatic vehicles and pedestrians under a cloudy sky with warm light. Rich painterly texture, coherent single scene, cinematic light, extreme wide panoramic banner composition that FILLS THE ENTIRE FRAME edge to edge: the painted scene reaches all four edges, no black bars, no border, no letterboxing, no empty margins. Every person has a natural, fully painted face with real features: never faceless, never blank mannequins, never smooth featureless heads. All people are fictional and resemble no real public figure. Strictly no text anywhere: no letters, no numbers, no typography, no signs, no billboards, no banners, no placards, no storefront lettering, no printed pages, no screen text, no watermark, no logos. No such surface appears in the picture at all: not lettered, and not blank either, because an empty screen or billboard leaves the figures around it reacting to nothing.
作者 孙岚 · 14h
作者 李维 · 23m
作者 林文渊 · 6h